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This study analyzed how the role of color and layout in background concept design affects. Color and layout have a decisive influence on the overall atmosphere, readability, visual harmony, and viewer immersion of the work. To confirm this, we analyzed the works of movies, animations, and video games such as 'Avatar,' 'Frozen,' 'Jerney,' 'Diablo 3,' and 'Duck and Goblet Fire,' and examined how they play and affect various colors and layout theories, including 'Preparation for Brightness' and 'Exercise and Change.' As a result of the study, it was confirmed that colors and layouts induce the viewer's gaze and emotions in the direction desired by the producer to allow immersion in the work. Through this research, concept artists will be able to improve their understanding of how to effectively utilize colors and layouts to create unique and attractive background concept designs.
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The purpose of this paper is to define the term ‘concept’ as it is used in conceptual musicals and to investigate what the role of the audience is. So far, there have been efforts by several scholars to define the concept of concept musicals; however, existing definitions are limited to the subject or focus on form, making it difficult to understand the concept musicals properly. Further, because the meaning and relationship of the attributes that make up the concept are not clear, definitions are bound to suffer confusion.
 The concept musical’ must create a new form to embody the theme implied in the content, i.e., the information delivered by the characters to the audience, and represent the audience through performances using the concept to reveal the theme while also remaining as an abstract substance hidden in the script. The concept does not have a fixed meaning, but concept that exists in the passage of time and must be included in the attributes that define the concept musical'.
 In addition, the role of the audience in the concept musical is of paramount importance. Just as it was thought in the experimental theatre in the late 20th century that the completion of the performance depended on the audience participating in the show and playing roles, the concept musical must also include the audience's participation and role performance in the shows for the attributes of the concept to reach a complete definition in the concept musical. Then in a true sense, the show of the concept musical is completed.
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º» ¿¬±¸´Â Á¦Ç°°³¹ß ÇÁ·Î¼¼½º Áß ÄÁ¼Á°³¹ß ´Ü°è¿¡¼ÀÇ È¿°úÀûÀÎ ÄÁ¼Á µµÃâÀ» Çϴµ¥ ÁÖ¾ÈÁ¡À» µÎ°í ÀÖ´Ù. ÄÁ¼Á ¼±Á¤ ¹®Á¦´Â ´Ù¼öÀÇ ±âÁØÀ» °í·ÁÇÑ ºÐ¼®°úÁ¤À» ÅëÇØ ÇÑ °³ ȤÀº ±× ÀÌ»óÀÇ ÄÁ¼ÁÀ» µµÃâÇÏ´Â ´Ü°è·Î¼ ºÐ¼®ÀûÀ¸·Î ÃÖ¼±ÀÇ ÄÁ¼ÁÀ» ÃßÃâÇϱâ À§ÇØ º» ¿¬±¸´Â ´Ù±âÁØ ÀÇ»ç°áÁ¤ (MCDM: Multi-criteria Decision Making) Á¢±Ù¹ýÀ» äÅÃÇϰí ÀÖ´Ù. ÀÌ ¹æ¹ý·Ð¿¡¼´Â ÇѰ谡ġ(Marginal value)¿Í °¡ÁßÄ¡(Weight)°¡ ¸ðµÎ ºÎÁ¤È®ÇÑ Á¤º¸¸¦ °¡Áö°í ÀÖÀ» ¶§, ¿ìÀ§(dominance)¿Í °¡´ÉÇÑ ÃÖÀû(potential optimality)¿¡ ´ëÇØ °¢°¢ ¼±Çü°èȹ(Linear programming)Á¢±ÙÀ» ´Ù·ç°íÀÚ ÇÑ´Ù. ƯÈ÷ µÎ °ªÀÌ ¸ðµÎ ¿ÏÀü ºñÇ×µî ¿¬»êÀÚ(strict inequality)ÇüÅÂÀÏ ¶§¸¦ ´Ù·ëÀ¸·Î½á ÀÇ»ç°áÁ¤ÀÚ°¡ ÀÇ»ç °áÁ¤ ¼±ÅÃÀ» Á» ´õ ÀÚÀ¯·Ó°Ô ÇÒ ¼ö ÀÖ°í ´õ ´Ù¾çÇÑ ¼±È£µµ¸¦ ÀÌ¿ëÇÒ ¼ö ÀÖ°Ô ÇϰíÀÚ ÇÔ¿¡ ¸ñÇ¥°¡ ÀÖ´Ù. Àû¿ë »ç·Ê·Î´Â ±¹³» ÈÀåǰ ±â¾÷¿¡¼ Ãâ½ÃÇÑ ÈÀåǰÀÇ ÄÁ¼Á¼±Á¤ »ç·Ê¸¦ Á¦½ÃÇÔÀ¸·Î½á ½ÇÁ¦ ±â¾÷ÀÇ Á¦Ç°°³¹ß¿¡¼ º» ¿¬±¸ ¹æ¹ýÀÌ ÀûÀýÇÏ°Ô ÀÌ¿ëµÉ ¼ö ÀÖ´ÂÁö ±×¸®°í È¿°úÀûÀ¸·Î Àû¿ëµÉ ¼ö ÀÖ´ÂÁö¸¦ È®ÀÎÇϰíÀÚ ÇÑ´Ù. º» ¿¬±¸´Â ¸ÕÀú ¼±È£µµÀÇ ¼±Çü ÇüŸ¦ ´Ù·ê ¼ö ÀÖ´Â ¹æÇâÀ» Á¦½ÃÇϰíÀÚ ÇÑ´Ù. ¿ÏÀü ºÎµî½ÄÀ» ÀÌ¿ëÇÑ ºÒ¿ÏÀüÇÑ Á¤º¸ ÇÏ¿¡¼ ¼±Çü °èȹ¹ýÀ» ÀÌ¿ëÇÑ °á°ú¸¦ µµÃâÇÔÀ¸·Î½á ÀÇ»ç °áÁ¤ÀÚ°¡ ¼±ÅÃÀ» Á» ´õ ÀÚÀ¯·Ó°Ô Çϸç, Çö½ÇÀûÀ¸·Î Á¢±ÙÇÒ ¼ö ÀÖ´Ù. ¶ÇÇÑ º» ¿¬±¸¿¡¼ ¼Ò°³ÇÑ ´Ù±âÁØ ÀÇ»ç°áÁ¤ Á¢±Ù¹ýÀ» Á¦Ç°°³¹ß ÇÁ·Î¼¼½º¿¡ Àû¿ëÇÔÀ¸·Î½á È¿°úÀûÀÎ Á¦Ç°°³¹ßÀÇ ¹æÇâÀ» ¸ð»öÇϰíÀÚ ÇÑ´Ù. ÄÁ¼Á °³¹ß ´Ü°è¿¡¼ ÄÁ¼ÁÀ» ¼±Á¤, Æò°¡ÇÏ´Â ´Ü°è¿¡ º» ¿¬±¸¿¡¼ Á¦½ÃÇÑ ¹æ¹ý·ÐÀ» Àû¿ëÇØ º½À¸·Î½á ±â¾÷ ¼º°ú¿¡ Áß¿äÇÑ ¿µÇâÀ» ¹ÌÄ¡°í ÀÖ´Â Á¦Ç°°³¹ßÀÇ »õ·Î¿î Æò°¡ ¹æ¹ýÀ» Á¦½ÃÇϰíÀÚ ÇÑ´Ù.
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This study explored the applicability of AI from the perspective of game background concept design. The background concept design processes 'High Concept' and 'Production Guide Sheet' were tested using Stable Diffusion, an image-generating AI that is provided free of charge with excellent accessibility and applicability. As a result, AI showed excellent performance in expressing the overall atmosphere and design direction, and proved the effect of time reduction. However, it was confirmed that there is a limit to delivering precise components and information accuracy. In addition, it was recognized that copyright issues should be considered in the process of utilizing AI. Based on this, it was suggested that AI can be used as a tool to explore new possibilities of design and derive creative ideas, and emphasized that designers need the ability to fully understand and apply AI's functions and limitations.
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This study investigated the type of fashion brand concepts and derived the components of fashion brand concepts. A total of 125 brand concept texts of women's wear brands were collected from '2012/2013 Korea Fashion Brand Annual' (S. M. Kim, 2012). A qualitative research method was employed. To investigate the types of fashion brand concepts, the texts were classified into three types such as functional, symbolic, and experiential concepts, and four complex types such as functional/symbolic, functional/experiential, symbolic/experiential, and functional/symbolic/experiential concepts. Open coding and axial coding provided the components of fashion brand concepts. The results were as follows. First, an investigation of the types of fashion brand concepts indicated differences in the types of fashion brand concepts and the types of general product brand concepts. One content of a fashion brand concept could be interpreted as more than two concept types; consequently, many fashion brand concepts did not fit the notion of the types of general product brand concept. Most fashion brand concepts simultaneously encompassed more than two types of brand concepts at once. Second, the components of fashion brand concepts consisted of 55 subjects, 7 sub-categories (physical/intrinsic product characteristics, symbolic/conceptual product characteristics, target demographics, target consumer behavior, brand capability, brand values, and brand management/marketing) and 3 categories (product, target consumer, and brand).
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ÃÖ±Ù »õ·Î¿î »ê¾÷Æ®·»µå·Î °¢±¤¹Þ°í ÀÖ´Â À¶ º¹ÇÕ(Convergence)»ê¾÷¿¡ ´ëÇÑ ¼±Áø±¹ÀÇ Á¤Ã¥µ¿ÇâÀ» ¼Ò°³ÇÏ°í ±¹³»¿Ü ÁÖ¿ä±â¾÷ÀÇ À¶ º¹ÇÕ»ê¾÷ ¹ßÀüÀü·«À» ÇÑÀÚ¸®¿¡¼ Á¶¸ÁÇØº¸´Â 'Á¦1ȸ À¶ º¹ÇÕ ±¹Á¦ ÄÁÆÛ·±½º'¸¦ 'À¶ º¹ÇÕÀ» ÅëÇÑ ½Å¼ºÀ嵿·Â ¹ßÀüÀü·«°ú °úÁ¦'¶õ ÁÖÁ¦¸¦ °¡Áö°í Áö½Ä°æÁ¦ºÎ(Àå°ü: ÃÖ°æÈ¯)´Â 11¿ù 23ÀÏ(¿ù) °³ÃÖÇÏ¿´´Ù. 'Á¦1ȸ À¶ º¹ÇÕ ±¹Á¦ ÄÁÆÛ·±½º'¸¦ ÅëÇØ ¼¼°è °¢±¹ÀÇ À¶ º¹ÇÕ»ê¾÷ Á¤Ã¥µ¿Çâ°ú ±¹³»¿Ü ±â¾÷ÀÇ À¶ º¹ÇÕ»ê¾÷ ¹ßÀüÀü·«À» ÇÑÀÚ¸®¿¡¼ Á¶¸ÁÇÔÀ¸·Î½á °íºÎ°¡°¡Ä¡ À¶ÇÕ ½Å½ÃÀåÀ» ¼±Á¡Çϱâ À§ÇÑ Á¤ºÎ¿Í »ê¾÷°èÀÇ ÄÁ¼¾¼½º¿Í ¹Ì·¡Àü·« ¼ö¸³À» À§ÇØ °³ÃÖµÈ °ÍÀÌ´Ù.
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This study aims to propose the concept design of oil spill protection robot which can rapidly intervene to control the oil spillage situation at the sea. Taking into account the fact that a huge amount of oil is transported trans-continentally by oil tanker, none of industrialized countries are completely safe from the marine oil spill which results in social, economical and ecological damages to their communities. The employment of double hull-oil tanker, pipe line transporting can be most safe way. Yet complete prevention of oil spill is probably not realistic. Accordingly the alternative solution to control marine oil spill and minimize the damages caused by the incident using intelligent robot technology based on swarm control method is proposed. The main features of oil spill protection(OSP) robot is explained via following three perspectives. Firstly, from functional point of view, OSP robot system safely and efficiently replaces oil boom installation manually conducted by human workers with intelligent robot technology based on swarm control theory. For second, its modular architecture brings efficient storage of main components including oil boom and facilitates maintenance. For the last, its geometric form and shape enables whole system to be installed to helicopter, boat or oil tanker itself with ease and to rapidly deploy the units to the oil spill area.
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¡®Fashion¡¯ is one of the most important aspects in game character design. However, despite its influence, analytical approaches in integrating fashion design methods in character designs are rare practices within the industry. The following paper aims point out the practicality of integrating and utilizing theoretical and formative methods in fashion design in creating character concept designs and show how the following application can create visual stimuli for artists in future concepts.
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