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REFERENCES

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ÀϺ» Äìµµ½Ã´Â 1200¿©³âÀÇ ¿ª»ç¸¦ Áö´Ñ °íµµ(ͯԴ)·Î
ÀüÅë°ú Çö´ëÀÇ ¹®È­, ȯ°æÀÌ µµ½Ã ¼Ó¿¡ °øÁ¸ÇÏ°í ÀÖ´Ù. ÀÌ·¯ÇÑ ¹è°æÀ¸·Î ¿À·¡ ÀüºÎÅÍ ¿ª»çÀû °ÇÁ¶¹°ºÎÅÍ ¸¶À», ÀÚ¿¬, µµ½Ã°æ°ü µî¿¡ ´ëÇÑ º¸Á¸°ú °æ°üÇü¼ºÀ» À§ÇÑ ¿òÁ÷ÀÓÀÌ Áö¼ÓÀûÀ¸·Î ÁøÇàµÇ¾î ¿Ô´Ù.ÄìÅä½ÃÀÇ µµ½ÉºÎÀÎ ³ªÄ«Ä챸(ñéÌÈÏ¡), ½Ã¸ðÄ챸(ù»ÌÈÏ¡)´Â ÀüÅëÀû °ÇÁ¶¹°°ú Çö´ë °Ç¹°ÀÌ ¹Ðµµ ³ô°Ô °øÁ¸ÇÏ°í ÀÖ¾î, °æ°ü¹ý¿¡ ÀÇÇØ ³ÐÀº ¹üÀ§¿¡ °ÉÃÄ ±¸½Ã°¡ÁöÇü¹Ì°üÁö±¸(|ìíã¼Ê¶ò¢úþڸκò¢Ï¡)·Î ÁöÁ¤µÇ¾î ÀÖÀ¸¸ç, ½Ã°¡Áö°æ°üÁ¤ºñÁ¶·Ê(ã¼Ê¶ò¢ÌØκïÚÝáðÉÖÇ)¿¡ ÀÇÇØ ½ÅÃà °ÇÃ๰ÀÇ ÇüÅÂ, Àç·á, ÀÇÀå ¹× ±â´É¿ä¼ÒÀÇ ¼³Ä¡, »öÁ¶ µîÀÇ ÇàÀ§Á¦ÇÑ ±ÔÁ¦°¡ ÀÌ·ç¾îÁö°í ÀÖ´Ù. ±×·¯³ª ÀüÅëÀû ¸Æ¶ôÀ» À¯ÁöÇÏ°í Çü¼ºÇØ°¡´Â ÀÌ °æ°üÁö±¸ÀÇ ±âº»¹æħ°ú´Â ´Þ¸®, ÁÖÀ§°æ°ü¿¡´ëÇÑ ¼³°èÀÚÀÇ ÀÚÀÇÀû Çؼ®°ú °æÁ¦¼º¿ø¸®¸¦ ¿ì¼±½ÃÇÏ´ÂÃÖ¼ÒÇÑÀÇ ¹ýÀû±ÔÁ¦ ÀÌÇàÀ¸·Î ¿ÀÈ÷·Á ÁÖÀ§ ÀüÅë°æ°ü°ú Á¶È­ÇÏÁö ¾ÊÀº ±âÇüÀûÀÎ °Ç¹°¿Ü°üÀ» À¯¹ßÇÏ°í ÀÖ´Ù. ÀÌ¿Í°°ÀÌ ÀüÅëÀû ¸Æ¶ôÀÌ Áß¿ä½ÃµÇ´Â ¿ª»ç¹®È­È¯°æ¿¡¼­´Â ÇÏÇâ¹æ½ÄÀÇ ÀÏ·üÀûÀÎ ±ÔÁ¦¸¸ Àû¿ëÇÏ´Â µ¥¿¡ ±×Ä¡Áö ¾Ê°í ÇØ´ç Áö±¸ ¹× °ÇÃàºÎÁöÀÇ Àå¼Ò¼ºÀ» °¡Àå Àß ¾Æ´Â Áö¿ª °ÅÁÖÀÚµéÀ» ÅëÇØ »ç¿ëÀÚ Áß½ÉÀÇ ¼³°èÁ¢±Ùµµ °í·ÁµÇ¾î¾ß ÇÑ´Ù. ÀÌ´Â ÁÖ¹ÎÇùÁ¤ÀÇ ÀÇ°ßÁ¶À²ÀÇ ÇѰ踦 ±Øº¹ÇÏ´Â ¼ö´ÜÀ¸·Î¼­ ÁֹεéÀÇ °øÅëÀû À̹ÌÁö¿¡ ±Ù°ÅÇÑ Á¤·®ÀûÀÌ°í ¸íÈ®ÇÑ µ¥ÀÌÅ͸¦ ±Ù°Å·Î ÇÑ ¼³°è°¡À̵å¶óÀÎÀÇ Á¤¸³ÀÌ ÇÊ¿äÇÏ´Ù.ÀÌ¿¡ º» ¿¬±¸´Â Àΰ£ÀÇ °æÇèÀû Áö½ÄÀÌ °ü¿©ÇÏ´Â Á÷°üÀû ÆÇ´Ü(°¨¼ºÆò°¡)¿¡ ±Ù°ÅÇÏ¿© °ÅÁÖÀڵ鿡 °øÅëÀûÀ¸·Î ³»ÀçµÇ¾î ÀÖ´Â »çȸÀû ±ÔÄ¢À» Á¤·®È­ÇÏ¿© ¸íÈ®È÷ ÇÔÀ¸·Î¼­ÇØ´ç Áö±¸¿¡¼­¡¸Á¶È­¡¹,¡¸ºÎÁ¶È­¡¹¿¡ ¿µÇâÀ» ¹ÌÄ¡´Â Áß°íÃþ ÁýÇÕÁÖÅà ÀÔ¸éÀÇ ÇüÅ¿ä¼Ò °£ Á¶ÇÕÀ» ÃßÃâÇÏ´Â °ÍÀ»¸ñÀûÀ¸·Î ÇÑ´Ù.

Landscape zones have been des
ignated as aesthetic old town districts across a wide range of Nakakyo-Ku andShimokyo-Ku, city center of Kyoto, Japan. In these districts in which traditional structures and new buildings coexist,regulations of restriction on acts such as new building¡¯s heights, shapes, materials, and colors are carried out accordingto local governmental landscape ordinance based on Scenic Conservation Act. And yet, minimal fulfillment of theregulations according to different designer¡¯s subjective interpretation and principle of economy is rather creating abnormalshapes not harmonized with the traditional landscape. Thus, this study aims to extract combinations between formelements of middle and high rise apartment facade that affects ¡®harmony¡¯ and ¡®mismatch¡¯ in the districts by clarifyingthe social rules commonly implied based on intuitive judgments (sensibility evaluation) in which human experientialknowledge is involved. As research methods, the study first analyzes the form elements of the facade through a fieldsurvey, sets up a standard model through tasks of classification and segmentation and draws computer graphic imageswith 99 different patterns based on it. Based on these images, this study carries out sensibility evaluation and analyzesexperimental data applying the rough set theory. As a result of the analysis, the combinations of form elements thataffect harmony or mismatch act greatly when the colors and shapes of the pillars, positions and the patterns of the useof the first floor are combined.   (ÀÌÇÏ »ý·«)

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