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Á¦¸ñ : Combining the New with the Old : Collecting Contemporary Korean Art at the Victoria& Albert Museum
ÀúÀÚ : Horlyck, Charlotte
¹ßÇàÇÐȸ : Çѱ¹¹Ú¹°°üÇÐȸ [The Korean Society of Museum Studies]
¹ßÇàÁ¤º¸ : ¹Ú¹°°üÇк¸ Á¦ ±Ç È£ pp.202-212(11 pages)
¹ßÇà³âµµ : 2000
ÀúÀ۽ñâ : 2000³â 12¿ù
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¥°. Introduction
¥±. Establishment of the Victoria & Albert Museum and Its Far Eastern Collection
¥². Collecting Contemporary Korean Art
¥³. The V&A¡¯s Contemporary Programmes
¥´. The Future of the Korean Collection
¥µ. Conclusion
º»¹®³»¿ë
The Korean collection at the V
&A is probably better known for its Koryo celadons and
Choson ceramics than for its
late 20th century artifacts. Yet, the museum began acquiring
contemporary Korean art alrea
dy in 1991 when preparing for the opening of the Samsung
Gallery of Korean Art. Since
that time the collection has been growing on a yearly basis, and
now amounts to around 100 obj
ects of varying media. The following will discuss to which
extent these objects hold a s
ignificant place within the museum already extensive collection of
historic pieces. Questions wi
ll also be raised as to whether is it possible to harmoniously unite
a collection which not only c
onsist of objects of diverse media and quality but also covers a
wide time span, ranging from
stonewares of the Three Kingdoms period to textiles of the late
20th century.
In as much as the Victoria an
d Albert Museum is characterised by its great diversity of
different collections. visito
rs often find the mixture of contemporary and historic objects
confusing and many query the
appropriateness of placing a contemporary object next to an
archaeological one. Others ar
gue that considering the strength of the historic collection it
should be given priority over
contemporary artefacts. Yet. while these opinions are highly
valid it is important to addr (ÀÌÇÏ »ý·«)
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