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¹ßÇàÇÐȸ : Çѱ¹±¸ºñ¹®ÇÐȸ [The Society Of Korean Oral Literature]
¹ßÇàÁ¤º¸ : ±¸ºñ¹®Çבּ¸ Á¦ ±Ç 22È£ pp.167-204(38 pages)
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This study is aimed to review
how receptors of popular music in our society have created community by focusing on the concept of ¡®community¡¯, and what the features and meaning of such community are. In particular, there was a review on the enjoyment of popular music by undergraduate students with the use of an ethnography method.
For instance, undergraduate s
tudents¡¯ community experience by enjoying popular music can be divided into going to a Noraebang(singing room) and going to a performance hall. However, community created through activities of going to a singing room and a performance hall is temporary and fluid. In addition, it is not community of life but community of the same taste and emotion. Nonetheless, the community experience through popular music holds a significant meaning in that it is a warm and humane community experience of the past.
The community experience thro
ugh popular music is a happy regression to the past, and people can gain energy to live a life through such experiences. This study is meaningful in that such facts were discovered through a positive research. (ÀÌÇÏ »ý·«)
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